The Netflix show that once took the world by it’s grotesque, metaphorical reflection of the world and the hunger for money and power, is finally bidding us farewell. Yes, I am talking about Squid Game 3. The final trilogy’s trailer of the series has dropped and well…it’s pretty dark.
The third and final season of the series will premiere on 27 June, so let’s prepare ourselves for more emotional trauma.
The Masked Devil Has Evolved
From the first few seconds of the trailer, itโs clear something has changed. The familiar eerie red-light-green-light nostalgia is replaced byโฆ silence.
Thereโs blood (we expect that now), but thereโs also something more psychological. The look in the eyes of the new players isnโt just desperation. Itโs numbness. It’s a haunting acceptance that death is more predictable than life.
And the Front Man? Heโs no longer just an ominous figure controlling the game. Heโs evolving into something symbolic; a metaphor for how power adapts, how it hides behind justice and structure while breaking people down from the inside.
Is Netflix hinting that the next game will play out not just on a physical level, but psychologically? A war of loyalty, betrayal, even belief? If Season 1 explored desperation and Season 2 hinted at revenge, Season 3 seems to be asking a more haunting question: What happens when the game never ends?
Gi-hunโs Spiral: Hero, Villainโฆ or Puppet?
And then thereโs Gi-hun. We see him briefly in the trailer. His signature red hair is gone, replaced by a far more sombre look. Is he the same man who turned back at the end of Season 1, vowing to burn the system down? Or has he been absorbed into it? The ambiguity in his eyes is telling.
If Gi-hun is in on the game now, does that make him the villain? Or a martyr? Maybe even a pawn of something darker? In the end, we can see one of the masked guards tell Gi-hun that “he wants to see you,” but why? Did the system keep him alive to feed off of him?
Will he finally bring an end to this game, like he said, “I am trying to put an end to it”, or it just the tip of the iceberg.
New Faces, Similar Wounds
What truly sends a chill down the spine is not the violence but the emotional decay. The trailer shows glimpses of players who arenโt just broke but also broken from within.
One woman clutches a childโs drawing. Another stares blankly into a mirror, her face twitching from holding in years of suppressed pain. These arenโt contestants anymore; theyโre living ghosts.
Could it be that this new version of the game isnโt about money at all anymore? Is it about control, manipulation, or even mass experimentation? The trailerโs refusal to explain these new elements is what makes it feel so much more disturbing.
The Line Between Game and Reality Is Blurring
Squid Game became a cultural phenomenon because it tapped into something we all understand: the cruelty of systems, the exhaustion of survival, the performance of choice in a rigged world.
But this isnโt just a game anymore. The trailer doesnโt just hint at something dark, but also dares us to ask whether the real darkness is the game itselfโฆ or our fascination with it.
The game that wasn’t trying to test who would survive, but who would lose their soul first. Sound familiar to the current dystopian reality of the world’s state?
Maybe the camera was never on the players; perhaps it was on us. Maybeโฆ weโre players too.
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