In an era where Pakistani dramas often tread familiar paths, Behroopia emerges as a groundbreaking narrative that delves into the complexities of the human psyche.

Premiering on Green Entertainment since April 24, 2025, this psychological thriller, penned by Rida Bilal and directed by Shaqielle Khan, challenges societal norms by spotlighting mental health, particularly Dissociative Identity Disorder (DID).

Plot Overview

At the heart of Behroopia lies Mekail Ahmed, portrayed by the versatile Faysal Quraishi. Mekail’s seemingly composed exterior masks a turbulent inner world, a result of harrowing childhood trauma.

His mind, fragmented into nine distinct personalities, serves as a defence mechanism against his painful past.

As the narrative unfolds, viewers are introduced to Zara, played by Madiha Imam, whose journey intertwines with Mekail’s, leading to revelations that test the boundaries of love, which later turn into emotional and physical abuse.

A Performance at its Finest 

Quraishi’s portrayal of Mekail is nothing short of a masterclass in acting. Embodying nine distinct personas, he seamlessly transitions between characters, each with unique mannerisms, speech patterns and emotional depths.

Faysal’s versatility comes as no surprise. His recent performance in the film Deemak has only proved it further.

However, it wasn’t just Faysal, but Madiha Imam too, who delivered a compelling performance as Zara, navigating the challenges of loving someone with a fragmented identity.

The ensemble cast, including Laila Wasti, Srha Asghar and Nabeel Zuberi, adds depth to the narrative. Each character has successfully contributed to the intricate tapestry of the story and made it the brilliant drama it is.

Landmark Towards Mental Health Awareness

Behroopia stands out not just for its storytelling but for its commitment to shedding light on mental health issues, a topic often stigmatised in South Asian societies.

The Nine Avatars of Mekail Ahmed

While the drama has not officially named each of Mekayel’s nine personalities, teasers and promotional materials hint at a diverse range of personas, each reflecting different facets of his psyche. These include:

1. The Aggressor: A volatile and confrontational persona, possibly embodying Mekayel’s suppressed anger and trauma responses.
2. The Innocent: A childlike identity, representing the part of Mekayel that remains trapped in his traumatic past.
3. The Caregiver: A nurturing figure, perhaps a maternal archetype, offering solace amidst internal chaos.
4. The Charmer: A suave and confident personality, utilising charm as a defence mechanism.
5. The Strategist: Calculated and composed, this persona handles complex situations with precision.
6. The Performer: Flamboyant and attention-seeking, possibly a manifestation of Mekail’s desire for validation.
7. The Shadow: A mysterious and possibly darker identity, representing the repressed aspects of his psyche.
8. The Protector: Defensive and vigilant, this persona emerges in threatening situations to safeguard Mekail.
9. The Core: The original self, around whom all other personalities revolve, is often unaware of the others.

 

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Final Thoughts

Behroopia is a testament to the evolving landscape of Pakistani television, where narratives are no longer confined to traditional tropes. Although this revolution is happeing oen narrative a time, the good thing is, it is happening.

This drama is a daring exploration of the human mind. It’s something the Pakistani drama industry needed.

Note: For those interested in exploring the themes of mental health further, consider watching the following Pakistani dramas that tackle similar issues:

• Zakham: Explores the impact of childhood trauma on adult relationships.
• Udaari: Highlights the societal challenges faced by survivors of abuse and assaults.
• Baaghi: Chronicles the life of a woman battling societal norms and personal demons.
• Tann Mann Neelo Neel: Showcases the distorted reality of our country and the implications of blasphemy laws and mob lynching.